Language of the Land : Floating Line
The floating line is a phrase that has captured my attention and heavily influenced this body of work ever since it was uttered by a friend while standing in a Venetian shipyard. Describing the center of the gondola where air and water meet, he said this section of the boat has to be the strongest since it must endure constant change. This area is called, linea di galleggiamento, or floating line – my new north star.
Shortly after this discovery, I read Robin Wall Kimmerer’s book, Gathering Moss, where she describes a related idea called the “Intermediate Disturbance Hypothesis.” Referring to the moss species found on the rocky coast of the Kickapoo Cliffs, she writes that “... at an intermediate frequency, there seems to be a balance that permits a great variety of species to flourish.”
Imagine the rich spaces on rocks along river beds where the water meets the air – areas of transition that host an incredible range of life. Think of the piers whose legs have been submerged in the ocean for years and the barnacles and life teeming where the water laps the air. Finally, consider the river’s edge, or the riparian areas that host diverse species that play a role in protecting this rich ecosystem, including us.
Diversity, strength, balance found in areas of transition? We all know and speak to the challenges found in life’s transitions, but the hope? How refreshing. Let’s also speak to the richness of these moments and the value they bring to our lives.
Floating Line (1 + 2) / 12" x 16" / Handmade inks on Alga Carta (paper made from the algae of the Venetian Lagoon); Inks foraged and created from various places throughout Italy including Venice, the Alps and Nonna’s backyard and kitchen in Salice Terme; and acrylic paint on wood panel.